Upcoming Events and Exhibitions

2025 Spotlight Exhibition Series featuring  Michael Koerner and Yicong Li
Mar
15
to May 24

2025 Spotlight Exhibition Series featuring Michael Koerner and Yicong Li

2025 Spotlight Exhibition Series featuring Michael Koerner and Yicong Li

Curated by Shane McAdams

Through the Spotlight Exhibition Series, Peninsula School of Art intends to provide career development and experience for visual artists and to share high-quality, concept-driven exhibitions with the Door County community. Instead of the thematic group exhibitions normally presented in the Guenzel Gallery, the Spotlight Series features concurrent solo exhibitions by two or three artists, each showing a complete body of work. The spring of 2026 marks the next installment in this series.

MICHAEL KOERNER

 RISE & FALL, is an interdisciplinary exploration and social commentary on the profound effects of isolation, insularity, and shortsightedness.

 The thirteen drawings shown here are the sum of my recent sabbatical from Indiana University, taken while living and practicing as an artist in a rainforest on the Southwest Coast of Vancouver Island. I initially only knew that I wanted to make drawings with things falling from the sky in relation to insularity, which is defined by Oxford as: “ignorance of or a lack of interest in culture, ideas, or peoples, outside of their own experience”. Cambridge defines insularity as: “the quality of only being interested in your own country or group and not being willing to accept different or foreign ideas”. To get the ball actually rolling for producing work though, and with a sly nod to Chicken Little, I developed a construct that stated if a composition consists of things falling from the sky, then it implies that they’ve risen at some point, to be in the position to fall.

 I ended up focusing on a variety of culturally relevant topical issues; the triptych
Timber! | Forest Fall | The Perpetual State of Flying Around in Circles specifically addresses deforestation. While I had naturally been aware of old-growth deforestation blighting the island in advance of my stay, there is no substitute for experiencing something directly. It’s this sentiment that drives my research into how humans seldom genuinely consider the long-term effects and collateral damage of an action/inaction, empathize with those affected, or collectively take steps towards rectifying an issue, unless the issue is happening on their doorstep. Whether I was negotiating narrow roads with logging trucks or passing desolate sections of clear-cut forests, I couldn’t unsee what was happening or turn a blind eye because it was occurring in front of me. How can we live off of and give to the land without depleting its resources so that the relationship is mutualistic? With cedar being one of the most harvested conifers there, the irony didn’t escape me upon returning to Indiana, to my home made of cedar and stone, that I am part of this narrative too.

 In addition to the drawing series, this exhibition includes multiple paint-poured found objects/vessels, collectively titled as The Journey is the Destination. They address the isolation inherent in the COVID-19 outbreak. In the context of a global pandemic, physically traveling anywhere was, for many, off the table. Implications went far beyond the trivial nature of not being able to take a vacation but struck a nerve on a more humanist level when fundamental forms of affection, empathy, and compassion – such as giving a loved one a hug – weren't even possible. As someone whose spouse is an immigrant, my family felt the compounded implications of being separated from our extended family and friends residing across the Atlantic each day. The conceptual aim here is to use the poured color/hue (that needs to be handled carefully as it's seemingly in a liquid state) as a metaphor for the triumph and beauty of our journey at a difficult time when many of us were physically bound to our residences, and our minds were running rampant as we strove to adapt while many passed away each day.


YICONG LI

 TENDRIL

Threads intertwine like memories, weaving together the seen and the unseen, the personal and the collective. Tendril explores the organic expansion of thought, emotion, and transformation – how the subconscious unfurls like fiber, reaching outward while anchoring within.

 Rooted in the meditative act of fiber techniques, my soft sculptures serve as extensions of the body, vessels for introspection, and sites of quiet metamorphosis. Inspired by Nuo Opera’s ritualistic transformation, these forms become masks, veils, and protective skins – barriers and bridges between self and world. As strands knot, loop, and expand, they mirror the way human experiences interlace, forming intricate networks of memory, trauma, and healing.

 Like the creeping tendrils of a vine, growth is both delicate and persistent – an entanglement of past and present, subconscious and conscious, individual and collective. These same threads echo patterns found in nature, from the branching veins of leaves to the flowing tentacles of deep-sea creatures. My forms borrow from the organic language of the natural world – coral polyps, mycelial networks, and the soft undulations of aquatic life – blurring the linds between the human body and the living ecosystems that shape us.

 Tendril is a space for connection, an unfolding of fibers that bind us not only to ourselves and to each other, but also to the vast, interwoven rhythms of nature.

 

 

 

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Family Art Day
Apr
19

Family Art Day

Don't Forget! Words in Disguise

Inspired by Michael Koerner’s artwork(whose current works are on display in the gallery!), where words and memories transform into visual stories. Explore how patterns, textures, and abstraction can hide and create meaning by making layered artworks based on words that represent things you tend to forget. 

We provide the art materials and the inspiration, so you can share the fun and accomplishment of creating fine art projects together. Drop in any time, 9am - noon. FREE for families with children ages 3 to 12.

Led by Katherine Baeten

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Closing Reception: 2025 Spotlight Series  featuring Michael Koerner and Yicong Li
May
24

Closing Reception: 2025 Spotlight Series featuring Michael Koerner and Yicong Li

Closing Reception - 2025 Spotlight Exhibition Series featuring Michael Koerner and Yicong Li

Curated by Shane McAdams

Through the Spotlight Exhibition Series, Peninsula School of Art intends to provide career development and experience for visual artists and to share high-quality, concept-driven exhibitions with the Door County community. Instead of the thematic group exhibitions normally presented in the Guenzel Gallery, the Spotlight Series features concurrent solo exhibitions by two or three artists, each showing a complete body of work. The spring of 2026 marks the next installment in this series.

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Cabin Fever: Collage and Company
Feb
6

Cabin Fever: Collage and Company

Beat the winter blues! Grab a group of friends or coworkers and come to PenArt for a lively evening of creativity, music, and fun. Enjoy cozy refreshments (with and without spirits) while you create a collage from photographic material, patterned papers, and more. All materials are provided.

Ages 21+. Live music by Paul Taylor. 10$ Suggested Donation.

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Family Art Day
Dec
14

Family Art Day

Memory Sculptures inspired by Elyse-Krista Mische

Moments of Time! 

Join us for a creative family experience where you’ll build simple sculptures that explore big ideas: What makes a moment special? How do we want to be remembered?

Inspired by Elyse Krista Mische, a recent artist in residence at Peninsula School of Art, Moments of Time invites you to use art as a way to share stories, think about who we are, and connect to our past, present, and future. Using everyday objects and natural materials, each family member will create a sculpture that reflects the things they love and cherish.

This project helps us pause, explore memories, and celebrate what makes life unique—together. Let’s make memories and art that will last a lifetime!

We provide the art materials and the inspiration, so you can share the fun and accomplishment of creating fine art projects together. Drop in any time, 9am - noon. FREE for families with children ages 3 to 12.

Led by Katherine Baeten

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Family Art Day
Nov
16

Family Art Day

Everyday Object to Quirky Character inspired by Thomas McIntyre.

Explore the absurd and the functional in Artist-in-Residence Thomas McIntyre’s work! Using the everyday object of a lamp as inspiration, create a colorful sculpture out of modeling clay, a wooden base, and battery-operated bulb. Add texture, details, and other embellishments to create a light-up character entirely your own. 

We provide the art materials and the inspiration, so you can share the fun and accomplishment of creating fine art projects together. Drop in any time, 9am - noon. FREE for families with children ages 3 to 12.

Led by Joslyn Villalpando

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Nancy Sargent: A Retrospective
Nov
9
to Mar 1

Nancy Sargent: A Retrospective

Nancy Sargent: A Retrospective
Curated by Adam Erickson and Elysia Michaelsen

Nancy Sargent’s paintings are imbued with exuberance and curiosity. As an artist, she seems to be always moving, always exploring, always evolving. Her retrospective this year at Peninsula School of Art (PenArt) is the culmination of 65 years of creative, perpetual motion. On full display is her masterful grasp of composition and the interaction of color – often balancing a bright palette with intricate patterns and fearless experimentation.

Frequently rendering tight lines and patterns in astonishing detail, she is a careful study of her subjects as well as her craft. At the same time, Nancy embraces a sense of playfulness and is just as ready to shift into loose and expressive gestures. The work on view in Nancy Sargent: A Retrospective demonstrates the unfolding conversation of one artist between abstraction and figuration – weaving back and forth over several decades. In more recent years, the two approaches seem to find harmony within a single composition – florals both rendered and flattened, patterns both referenced and imagined, combined with linear elements to create shifts in perspective among the layers of abstraction and representation.

After rigorous art training in college, Nancy returned to her hometown of Fish Creek to begin her career in art and education. At Gibraltar High School, her alma matter, Nancy was invited to launch the school’s first official art program. She would later open and run an advertising company with her husband, John, in Milwaukee, where the couple raised two children. Upon retirement, Nancy decided once again to make Fish Creek her home. At that time, she was introduced to PenArt, where she continued her artistic development by taking classes in a variety of mediums. The Art School facilitated social connections as well, allowing Nancy to build relationships with a growing network of artists in Door County. She taught a number of classes herself at PenArt, and later joined the board of directors, where she has served as an advocate and ambassador for 30 years.

Nancy is an engaged resident and a dedicated champion of the arts in Door County. She became an artist and art educator despite not having art education in her own early schooling. Through observation and imagination, she creates works that are bold and energetic while also being carefully crafted. She is a fearless and joyful painter whose evolution is never complete, yet one thread that stretches across six and a half decades is a powerful understanding of formalism. She explores and celebrates the creative process as much in her paintings as she does in her life and community.

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Opening Reception: Nancy Sargent: A Retrospective
Nov
9

Opening Reception: Nancy Sargent: A Retrospective

Join us for an opening reception of Nancy Sargent: A Retrospective in the Guenzel Gallery.

PenArt presents a career-spanning retrospective of artist, educator, and community champion Nancy Sargent. The exhibition follows a thematic journey from her earliest paintings studying at Cardinal Stritch University to works made during her careers in education and advertising to pieces made in her Fish Creek studio as recently as this year.

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Of Place
Aug
24
to Oct 26

Of Place

Images by Kasey and Ben Photography

This summer Peninsula School of Art and Peninsula State Park partnered to offer a residency experience that puts both art making and the environment at its center. Inaugural artists Maysey Craddock and Tomiko Jones were invited to explore the state park through the lens of their individual research; discovering new connections in their practices, creating site-responsive works, and gaining a deeper understanding of this particular place and its environmental circumstances. The residency experience culminates in the exhibition Of Place, curated by Shan Bryan-Hanson, featuring work created by Maysey Craddock and Tomiko Jones prior to and during their residency sessions.

 Curator’s Statement

Of Place is the culmination of the inaugural Peninsula State Park Artist-in-Residence program, co-sponsored by the Peninsula School of Art and Friends of Peninsula State Park. During the residency, Massey Craddock and Tomiko Jones each created several new works of art, exhibited here in context with pieces from their larger bodies of work.

Maysey Craddock’s paintings on stitched paper bags depict images that draw our attention to the nuanced shapes of tree branches, plant forms, and other intimate details unique to a specific place. She pulls us into the work not by painting distant trees in vast landscapes, but rather by bringing the foliage into the foreground, allowing its presence to fill the picture plane. Her mesmerizing use of color and contrast creates immersive painted worlds: microecosystems that reference the Anthropocene, disappearing wetlands, elegy and entropy.

Craddock’s process involves layers of mediation, from disassembling and reassembling the found paper bags on which she paints to using technology to alter photographic images that are then drawn and painted on the sewn together paper bags. In many ways, the organic and evolving nature of this process reflects the changing landscapes she depicts, the way land is altered by human activity and encroachment.

Tomiko Jones uses the cyanotype process as a means of memorial, to bring attention not only to absence but also to presence, not so much to what remains as to what is. So much of Jones’ work explores loss, both individual and cultural. It’s hard to look at her work and not consider the impact of human carelessness and cruelty. Through the cyanotype process which she has referred to as “a collaboration with sun, wind, and water” she tenderly memorializes animals forgotten or left behind.

Immersed in ritual, her art presents an unhurried way of being in a “grand place,” an antidote to the typical checklist of sites to see. She enters the public lands she visits with an openness that allows her art to unfold over time. She begins with questions rather than answers, and the results are intimate and thought-provoking. The deep care with which she approaches her subjects is palpable, focusing attention on that which is ephemeral and temporal.

Craddock and Jones create art that brings awareness to climate change and related humanitarian crises of our time, and yet they don’t prescribe solutions or posit answers. Rather, they guide us gently to see, to open our eyes, and carefully consider what is before us.

Shan Bryan-Hanson, Curator

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Lantern + Moon
Aug
19

Lantern + Moon

  • Weborg Point Fishing Pier in Peninsula State Park (map)
  • Google Calendar ICS

Based on the Japanese tradition of toro nagashi, Lantern + Moon remembers and honors those who have passed. The event in Peninsula State Park includes a projection on a scrim on the shore of one of Tomiko’s works + lanterns made by Tomiko. Visitors are welcome to arrive earlier and decorate a lantern to add to the collection in remembrance. Lanterns will be released shortly after sunset. This event is free and open to the public.

Image: Donny Kimball

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Cyanotype Drop-In Workshop
Aug
10

Cyanotype Drop-In Workshop

Join resident artist Tomiko Jones and Naturalist Liz Schmutzer to make cyanotype prints using natural materials, including leaves, flowers, rocks, and items from the Nature Center such as skulls, feathers, pelts, fossils, and more.

This event is free and open to the public. All skill levels and ages welcome.

Artwork: Tomko Jones, The Fox

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